In my 20 years as a photographer and teaching workshops worldwide, there are recurring challenges I had to overcome in my own process, these are issues I have also identified with workshop participants. In this workshop, we will address some of the biggest hurdles in making a photographic story that is impactful in its message as well as arresting as a series of photographs.
This workshop is an investigation into your Creative Process, a self-made framework essential for your development as a visual storyteller. The class will examine the possible avenues of the visual storytelling process and the decisions you might make as a thoughtful photographer. The framework provides a critical structure for the practitioner to grow within, learning to make objective step by step decisions along the way to craft narrative and explore ways in which to develop the story. The workshop aims to establish a solid foundation within your photographic practice in order to inform future development. The 5 day programme will cover key areas of the creative process from the development of a story idea, visualizing and problem solving, to its realisation — the development of these skill sets are part experiential and will, therefore, be incorporated within the framework of a photography project. The workshop focuses and explores creative considerations involved in shooting, sequencing, and reasonings behind the decisions for the final production. All these stages of the photographic practice are important and necessary to developing a coherent body of work — the maturation and advancement of these key foundational blocks will enable you, the photographer, to constantly explore and push your creative limits. A fundamental aim of the workshop will be to develop your critical creative facility and an understanding of professional production requirements, tools essential for your own photographic journey.
Ultimately, in the professional world you have to be able to motivate and make decisions for yourself. How do you maintain that engagement and learn to ride through the doubts and still be able to make sensible and creative decisions when you are not in the position to know all the answers? Familiarising and building a workflow and creative process, for which you can ask challenging questions to diagnose the aims, the whys and hows will essentially develop an objective and open attitude in order to develop a well thought out approach to any project.
Ian Teh has published three monographs, Undercurrents (2008), Traces (2011) and Confluence (2014). His work is part of the permanent collection at the Los Angeles County Museum of Art (LACMA), The Museum of Fine Arts, Houston (MFAH) and the Hood Museum in the USA. Selected solo shows include the Jack Shainman Gallery in New York in 2004, Flowers in London in 2011 and the Kunsthal Museum in Rotterdam in 2012.
Teh has received several honours, in 2018 he was awarded a travel grant from the Pulitzer Centre for Crisis Reporting and presented his work on climate change at the prestigious 2018 National Geographic Photography Seminar. He is also the recipient of the International Photoreporter Grant 2016 the Abigail Cohen Fellowship in Documentary Photography 2014 and the Emergency Fund 2011 from the Magnum Foundation.
In 2013, he was elected by the Open Society Foundations to exhibit in New York at the Moving Walls Exhibition. In 2015, during the COP21 Paris climate talks, large poster images of his work were displayed on the streets of Paris as a collaborative initiative by #Dysturb and Magnum Foundation. He is a co-exhibitor in Coal + Ice, an environmental group show of acclaimed photographers and curated by Susan Meiselas. It was exhibited at the Official Residence of the US Ambassador to France during COP21.